夏日工坊5：打造你的艺术独特性-Summer Workshop5：Discover your ‘Artistic Unique’
你独有的艺术风格是什么？
WHAT IS YOUR SIGNATURE ART STYLE?
风格是随着时间的推移而学习、采纳、运用和发展的。有时是偶然的，有时是有目的的，两者常常兼而有之。
Style is learned, adopted, manipulated, and developed over time. Sometimes on accident, sometimes on purpose, and often times both.
你的独特风格是将多种事物组合在一起，包括你的声音、技巧、颜色选择和安排、构图、主题、媒体、材质等等。你的风格将你的每一件作品结合在一起，形成一个独特而有凝聚力的集合。最棒的是，它会随着时间的推移而不断演变。即使你找寻到了自己的风格，它也会发生变化。
Your unique approach is a combination of a number of things, your voice, techniques, color choices and arrangements, compositions, subject matter, media, surface and more all wrapped up. Your style is what binds each of your pieces together into a unique and cohesive collection. The best part is that it continues to evolve over time. Even when you’ve found it, it starts to change.
在自我发现和发展个人独特艺术风格的过程中，需要考虑一些事项：
A few things to consider as we take on this journey of self-discovery and development of individual unique art styles：
1.你是否在艺术作品中采用了相同的设计要素和原理？
Are you drawn to the same elements and principles of design in your artworks?
2.哪些灵感和主题来源最常出现在你的艺术中？
Which source of inspirations and themes show up in your art most often?
3.你是如何运用您的风格的? 你喜欢什么样的题材？
How do you manipulate and what kind of subject matter are you drawn to?
4.你喜欢创作什么样的作品？你的作品与其他艺术家有什么不同？
What do you enjoy creating and the difference of your work from other artists?
本期假期营的目的是帮助我们年轻的创意者发现和发展独特的风格，从不同背景和经历的艺术家阵容中获得灵感，向小小艺术家们介绍一些创造风格的简单公式，通过熏陶和启发，临摹和效仿榜样，从光线到形状模仿自然，练习并逐渐取得进步！
This workshop comes handy to help our young creatives to discover and develop unique styles inspired by the lineup of artists from different backgrounds and experiences to introduce the artists to a number of simple formulas to creating a style through exposer and inspiration, copying and emulating role models, mimic nature from light to forms, practice and give it time to evolve!
SUMMER
CAMP
日期/Date：
7月26日-7月30日/July 26th - July 30th
团体人数/Group Size：
3+
上课地点/Location:
校区1：顺义嘉浩别墅4区4016
校区2：氪空间（国贸中海广场社区）朝阳区光华东里8号院中海广场中楼8层
Campus 1: Gahood Villa 4-4016, Shunyi
Campus 2：Krypton Space (China World Trade Center Zhonghai Plaza Community) 8th Floor, Middle Building, Zhonghai Plaza, No. 8 Guanghua East Lane, Chaoyang District
年龄/Age：8+
9:30-12:00
¥2800/5节课（classes）
年龄/Age：5-7
13:00-15:00
¥2500/5节课（classes）
每日概要/Summary
第1天和第2天，创建一个2D混合媒介拼贴艺术品。
Day 1 and 2, Creating a 2D Mixed-media Collage Artwork.
第3天，创作一件色彩丰富、充满活力的时尚印刷艺术品。
Day 3, Creating a colorful energetic Fashion print Artwork.
第4天和第5天，创建一个装饰抽象浮雕雕塑。
Day 4 and 5, Creating a Decorative abstract relief Sculpture.
技能与技巧/Skills and Techniques
绘画和观察实践/Drawing, painting and observational practices
混合媒介/Mixed-media
拼贴画/Collage
时装印刷设计/Fashion print designs
浮雕雕塑/Relief sculpture
印刷和装版/Printing and stenciling
介质和媒介处理/Surface and media treatment
任务与期望/Tasks and Expectations
1.了解并发现Fete Talavera，Lynne Zulu，Dada Adesoji Disu及其丰富的背景文化。
Know and discover about Fete Talavera, Lynne Zulu, Dada Adesoji Disu and their rich background culture.
2.发现并发展个人独特风格。
Discover and develop individual unique styles.
3.创建时装印刷设计。
Create fashion print designs.
4.灵感和概念发展。
Understand inspiration and concept development.
5.了解颜色理论和设计的基本原理。
Understand the theory of color and the basic principles of design.
6.制作并理解浮雕雕塑
Make and understand a relief sculpture
第1天和第2天
Day 1 and 2
Fefe Talavera
Fefe出生于1979年，在圣保罗长大，一半是墨西哥裔，一半是巴西裔。她对各种“地下”运动感兴趣，她的家乡拥有国际知名的街头艺术和涂鸦场景，典型而独特的自由风格，给这位艺术家留下了深刻的印象。
Born in 1979 Fefe was brought up as a native half Mexican, half Brazilian in São Paulo. Interested in all kind of “underground" movements, the typical and unique stylistic freedom of the internationally renowned Street Art and Graffiti scene of her hometown made an important impression on the artist.
因此，她在街头工作时渐渐形成了有棱角的、部落式的风格，比她在圣保罗的FAAP获得学士学位时的学习更能体现她原始的创造力。在画廊展出时，遇到艺术市场体系的某些规则、限制和不宽容性，对Fefe来说是一种矛盾，Fefe主要是想寻找公开表达自己的方式和一种共同的交流方式。
Her raw creative energy thus found much more correspondence in the angled, tribal-like style she developed while working in the streets, than in her studies in fine arts which she finished with a Bachelor at the FAAP in São Paulo. Showing at galleries and accepting certain rules, limits and intolerance of the art market system represent a contradiction for Fefe who is mainly interested in finding public ways to express herself and a common way of communication.
与同时代的其他艺术家一样，她认为圣保罗是一个被社会、经济和生态问题破坏的当代大都市，这些问题对城市景观产生了有害的影响。因此，公共墙仍然是展示居住在那里的人们的强烈个性“内在”美的一种可能。南美洲和中美洲的街头艺术和涂鸦也可以理解为反映当代城市生活的政治壁画艺术传统（“壁画”）。
As other artists from her generation she perceives São Paulo as a contemporary megalopolis shattered by social, economic and ecological problems which had a harmful impact on the urban landscape. The public walls thereby remain one possibility of showing what is beautiful “inside" the strong personalities of the people living there. Street Art and Graffiti in South and Central America can as well be understood in the tradition of political mural art reflecting contemporary urban life (“Murales").
受到Mayan或Aztec 神话和她的墨西哥血统影响，Fefe最著名的是她的怪物，这些怪物是由遍布街头的演唱会公告海报上剪下的字母做成的。这些胶合拼贴般的人物，既与艺术家对版式、书籍和版画的欣赏有关，也与她希望以某种方式将字母从文字、句子或文本等固定意义中“解放”出来的意愿有关，通过展示它们的形式特征，以及提醒我们，所有的语言都植根于人类情感的直接表达，而不是用于指挥人类的情感。
Fefe, who is influenced by Mayan or Aztec mythologies and her Mexican heritage, is most well known for her monsters made of cut out letters from concert announcement posters found all around the streets. The glued collage-like figures are related to the artist's admiration for typography, books and prints, but also to her will to somehow “free" the letters from their fixed meaning as words, sentences or texts, by showing their formal qualities as well as by reminding us that all kind of language is rooted in the direct expression of human affects, not in the function to command them.
尽管“字母怪兽”因其独创性而大受欢迎，但Fefe在过去几年中主要还是回到了她在绘画方面的丰富辞藻之中。在纽约、洛杉矶、莫斯科、柏林、维也纳、塞维利亚、马德里和阿姆斯特丹等地展出并参与了世界各地的团体项目，仅举几例，绘画和视觉艺术仍然是艺术家私人化、亲密性和诗意语言的展现方式。
Even though the “letter monsters" became very popular because of their originality, Fefe returned mostly to her extensive vocabulary in painting and drawing in the last years. Having exhibited and participated in group projects all over the world in New York, Los Angeles, Moscow, Berlin, Vienna, Seville, Madrid and Amsterdam, to mention only a few, painting and visual arts remain the artist's means of a very personal, intimate and poetic language.
第3天
Day 3
Lynne Zulu
Lynnie Zulu是一位职业插画家，1988年出生，在苏格兰边境长大，母亲是一名艺术家，出生于坦桑尼亚。Zulu的作品带有非洲的影响力，这体现在她充满活力的标志制作和她创造的异国情调的人物身上。
Lynnie Zulu is a professional Illustrator born 1988 and bred in the Scottish Borders, with an artist mother who was born in Tanzania. Zulu’s work carries an African influence that is revealed in the energetic mark making and by the exotic characters she creates.
她的插图可以在时装印刷品、服装和配饰、LP艺术品、现场艺术以及展览中找到。她总是喜欢自发地工作，因为她希望自己的工作充满活力，且保有乐趣。Lynne喜欢看一幅插图在纸上展开的整个过程，这就是为什么她不喜欢预先计划的原因，“Lynnie的风格是与众不同的，在她创造的俏皮有魅力的人物中，大胆明亮的调色板发挥了巨大的作用。“
Her illustrations can be found in fashion print, apparel and accessories, LP artwork, live art and in exhibitions. She has always enjoyed working spontaneously because she wants her work to carry an energetic, lively quality. Lynne enjoys the whole process of watching an illustration unfold on the paper, which is why she prefers not to pre-plan it,” Lynnie’s style is a distinctive one, where a bold bright color palette is used to great effect in the playful charismatic characters she creates.“
这些人物的发展是她工作的动力；创造神秘、吸引人的人物和强大的蛇蝎美人。女性是她作品的主要主题，她用墨水、颜料和彩笔将作品赋予生命。这些人物性格自发地呈现出来，自然而然地演变成引人注目和引人入胜的形象，既震惊又有趣，并且总能吸引人的眼球。
The development of these characters is the driving force of her work; producing mysterious, seductive creatures and powerful femme fatales. Women are mostly the subject of her pieces which she brings to life using ink, paint and paint pens. By working spontaneously, the personalities evolve naturally into striking and engaging images which both shock and amuse, but always stimulate the eye.
她在苏格兰边境荒野中的一个富有创造力的家庭出生和长大，与非洲有着紧密的联系，这产生了对不同文化的热爱以及对人的迷恋。Lynnie在金斯敦（Kingston）学习插图，现居住和工作于伦敦东部，曾在英国、欧洲和美国参加过个展和群展。
Born and brought up in the wilds of the Scottish Borders into a creative family with strong African links which instilled a love of different cultures, and a fascination with people. Lynnie studied illustration at Kingston and now lives and works in East London, and has exhibited in solo and group exhibitions in the UK, Europe and USA.
第4天和第5天
Day 4 and 5
Dada Adesoji Disu
Dada Adesoji Disu 1968年生于尼日利亚西部拉各斯州拉各斯岛。他曾就读于英国Auchi Polytechnic艺术与设计学院和Telford艺术与技术学院。1997年至2001年，他是尼日利亚国家美术馆的常驻艺术家。
Dada Adesoji Disu born in 1968, On the Island of Lagos, Lagos state, Western Nigeria. He attended school of Art and Design Auchi Polytechnic and Telford college of art and technology, England. United Kingdom He was resident Artist National Gallery of Art Nigeria from 1997-2001.
他曾任尼日利亚北部卡杜纳州Chalawa中学美术教师。英国Southwark艺术论坛成员。他在尼日利亚国内有许多私人和公共艺术委托（他在尼日利亚更像是一名社区艺术家），并在抵达英国后举办了群展。他的作品在尼日利亚、南非、美国、丹麦、加拿大、英国、法国、西班牙、意大利、日本和德国被私人收藏。
A former fine art teacher with Chalawa Secondary School, Kaduna State, Northern Nigeria. Member of Southwark art forum England. He has had numerous private and Public art commissions back home in Nigeria (He was more a Community Artist in Nigeria) and group exhibitions ever since arriving in the United Kingdom. His Works are in private collections in Nigeria, South Africa, U.S.A, Denmark, Canada, United Kingdom, France, Spain, Italy, Japan and Germany.
他是一位多媒体艺术家，其作品受到非洲约鲁巴（Yoruba）背景的影响，这种背景大多是装饰性的，而丰富多彩的颜色往往会中和占主导地位的灰色环境。强调头部（Ori- Destiny）。头部的大小是对未来的艺术视觉诠释。在约鲁巴文化和信仰体系中，头脑是权威和推理的来源，因此，你在生活中的成功取决于你如何正确或错误地使用你的头脑。头部被认为比身体的其他部分都要大，因为它是人的本质。因此，它承受的负担使其变得更大。我们的头脑构成了我们的生命之源，控制着我们的人格和命运。在约鲁巴美学中有三种不同的表现头部的模式：自然主义的，是指外在的或物理的头部（orí òde）；风格化的，是指内在的或精神的头部(orí inú）；抽象的，象征着构成内部头部的原始材料（òkìpòrí）。
He is a multimedia artist and His works are influenced by his African yoruba background which is mostly decorative and colorful tend to neutralise dominating gray surroundings. There is emphasizes on head (Ori- Destiny). The size of the head is the artistic visual interpretation of what the future holds. In Yoruba culture and belief system, head is where authority and reasoning come from, therefore, your success in life depend on how you make good or bad use of your head. The head is considered bigger than the rest of the body because is essence of man. Therefore, the burden it bears makes it bigger. Our heads constituting our life-source and controlling personality and destiny. Three different modes of representing the head are identified in Yoruba aesthetics: the naturalistic, which refers to the external, or physical, head (orí òde); the stylized, which hints at the inner, or spiritual, head (orí inú); and the abstract, which symbolizes the primeval material (òkè ìpòrí) of which the inner head was made.
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